Cyndi Lauper Live at Atlantis!
Cyndi Lauper brings her Girls Just Wanna Have Fun Farewell Tour to Atlantis Paradise Island on Saturday, June 20, 2026.
Enjoy a night of legendary hits and unforgettable energy under the stars on Casuarina Beach.
Release Date: 1953
Label: Folkways Records
Tracklisting:
Alfred Henderson - Ring Play 00:00
Alfred Henderson, Gabriel Adderly - Fire Dance 01:14
Baptist-Methodist Group - In the Upper Room 03:46
Baptist-Methodist Group - Please Hear Me When I Call 07:26
Baptist-Methodist Group - Walk and Talk to Glory 10:44
Church of God Congregation (Nassau, Bahamas) - Church of God Congregation, Nassau-1 13:08
Church of God Congregation (Nassau, Bahamas) - Church of God Congregation, Nassau-2 16:42
Church of God Congregation (Nassau, Bahamas) - Church of God Congregation, Nassau 23:08
Harcourt Symonette, Gabriel Adderly, Alfred Henderson - Jumping Dance 26:30
Howard Johnson, Alfred Henderson - Heel and Toe Polka 30:58
Howard Johnson, Alfred Henderson, Gabriel Adderly - Jook Dance 32:20
The Queen of Rake n Scrape, our very own Sweet Emily, has a special gift for everyone this Valentine’s season. She just announced her brand-new single titled “Can’t Help Falling In Love.”
Sweet Emily shared the big news on her Facebook page, showing off a beautiful new cover (check it out above!) and giving us the heads-up that this track is dropping just in time for the holiday of love. Whether it comes out right before or on Valentine’s Day, it’s definitely going to be the perfect song to set the mood.
We all know and love Sweet Emily for her classic hits that get everyone on the dance floor, like:
She’s been busy lately, too! You can find her featured in the 2026 Bahama Beat Calendar presented by BAF General. She’s standing alongside other Bahamian greats like Shine, KB, Juliet Believe, and Stileet. It’s amazing to see our legends getting the shine they deserve.
Make sure you keep an eye out for the official release of “Can’t Help Falling In Love.” Once it drops, be sure to share it with your friends, family, and that special someone!
Boxing Day is celebrated on December 26, the day after Christmas, and is a public holiday in many countries—especially those with historical ties to the British Empire, including the United Kingdom, Canada, Australia, New Zealand, and parts of the Caribbean. Wikipedia
The name Boxing Day may seem strange at first, but it comes from a centuries-old tradition of giving “boxes” of gifts, money, goods, or charity to those in service roles or in need. In earlier times, aristocratic households gave servants and tradespeople gifts or gratuities—sometimes in decorative boxes—on the day after Christmas. This was both a form of gratitude for their service and an opportunity for workers to visit their own families after working on Christmas Day itself. Encyclopedia Britannica
Another linked tradition stems from the practice in Christian churches of placing alms boxes for donations to the poor; these boxes were opened and distributed on December 26, which is also the feast day of Saint Stephen—Christianity’s first martyr, known for his service to those in need. Wikipedia
Over time the holiday evolved. In some countries it became associated with sporting events (e.g., football and cricket matches in the UK and Australia) and, in many places today, major shopping sales. In others—particularly the Caribbean—it became a day for vibrant cultural celebrations rather than simply a day of rest or commerce. Encyclopedia Britannica
Abstract - The cultural relationship between Jamaica and The Bahamas is one of profound intimacy and stark imbalance. For decades, the sonic landscape of The Bahamas has been dominated not by the indigenous rhythms of Rake 'n' Scrape or Goombay, but by the thumping basslines of Jamaican Roots Reggae and Dancehall. While the former provided a shared language of black empowerment and Pan-Africanism, the latter has introduced a set of behavioral norms, linguistic shifts, and social values that arguably threaten the distinct cultural fabric of The Bahamas. This essay examines the mechanisms of this cultural transfer, arguing that the dominance of Jamaican popular culture acts as a form of "soft imperialism" that displaces local identity, fosters imported social pathologies, and relegates authentic Bahamian artistic expression to the margins of its own society.