Yardie Imperialism and the Bahamian Identity Crisis: The Double-Edged Sword of Jamaican Musical Hegemony
Abstract - The cultural relationship between Jamaica and The Bahamas is one of profound intimacy and stark imbalance. For decades, the sonic landscape of The Bahamas has been dominated not by the indigenous rhythms of Rake 'n' Scrape or Goombay, but by the thumping basslines of Jamaican Roots Reggae and Dancehall. While the former provided a shared language of black empowerment and Pan-Africanism, the latter has introduced a set of behavioral norms, linguistic shifts, and social values that arguably threaten the distinct cultural fabric of The Bahamas. This essay examines the mechanisms of this cultural transfer, arguing that the dominance of Jamaican popular culture acts as a form of "soft imperialism" that displaces local identity, fosters imported social pathologies, and relegates authentic Bahamian artistic expression to the margins of its own society.















