Coral Vine
Coral Bells
Mexican Creeper
Queen's Wreath
Honolulu Creeper
Coral Creeper
Nassau, on the island of New Providence, has been the capital of The Bahamas for centuries. As the most populous island in the archipelago, New Providence hosts the majority of the nation's government institutions, private businesses, and a growing population. Over the years, New Providence has developed into a bustling hub of economic, political, and social activity. However, with limited space and increasing congestion, the island has begun to feel cramped for its citizens. As the population rises and development intensifies, some have suggested the idea of relocating the capital to Andros, the largest island in The Bahamas.
Andros is rich in natural resources and has much more available land compared to New Providence. This report explores the feasibility, benefits, and challenges of such a monumental move, addressing key questions: Would relocating the capital to Andros be a good idea? How feasible is it? What challenges would it present, and how could they be overcome? How long might it take to fully establish Andros as the new capital?
This report explores the critical importance of making consistent, sustainable progress for a small developing island nation. Progress in this context is multidimensional, encompassing economic development, infrastructure enhancement, social improvements, environmental sustainability, and governance reform. For such nations, rapid and effective progress is essential for overcoming inherent geographical challenges, attracting investment, improving the standard of living, and ensuring long-term resilience against global economic fluctuations and environmental threats like climate change.
In the land where turquoise meets the sky,
The Bahamas shines, her flag held high.
A nation built on hope and dreams,
Where freedom flows in endless streams.
On shores kissed by the sun’s embrace,
Lies more than beauty in this place.
For here, the spirit of a people rise,
With voices bold, beneath bright skies.
Freedom of choice, a precious gift,
Like winds that through the islands drift.
Not born of ease, but battles fought,
By those who dared, by those who sought.
From Nassau’s streets to Inagua’s seas,
The right to choose runs through the breeze.
To speak, to vote, to dream, to be,
To shape their own democracy.
The subject of reparations for African slavery, particularly in relation to the Atlantic slave trade, has long been a matter of debate and concern across the globe. The Atlantic slave trade, which spanned over four centuries, saw the forced transport of millions of Africans to the Americas and Europe, where they were subjected to inhumane conditions, brutal exploitation, and cultural destruction. Today, many nations, organizations, and individuals are calling for reparations as a way to address the deep-rooted injustice, systemic racism, and socioeconomic disparities created by this dark chapter in history. Reparations are not just about financial compensation; they also symbolize recognition, acknowledgment, and a long-overdue apology for the atrocities committed.
This report will examine the history of the Atlantic slave trade, the emergence and current status of the reparations movement, and the potential benefits and complexities surrounding reparations. It will also explore the potential impact on race relations, the emotional and psychological effects on the descendants of slaves, and whether reparations alone can rectify the ongoing legacies of slavery.
Let Nothing Hold You Back
Let nothing hold you back, my friend,
From paths your spirit longs to tread.
The world is wide, the skies are vast,
And dreams are yours, so run steadfast.
Let fear not chain your willing feet,
For in your heart, your pulse repeats:
A rhythm born of daring fire,
A call that lifts your soul higher.
Let doubt not cloud your vision clear,
For what is distant soon draws near.
And though the road may twist and bend,
Each step’s a promise to ascend.
Maureen Duvalier - Bahamas Cultural Icon
(aka Calypso Mama, Bahama Mama, Junkanoo Queen)
Maureen Duvalier was born on May 14, 1926, in Nassau, Bahamas, into a world of music and culture. Her father, Emmanuel Alexander Duvalier, was a skilled musician and band leader in his own right, which provided Maureen with early exposure to the rhythms and sounds that would later shape her career. Growing up in a culturally rich environment in the Bahamas, Duvalier was immersed in the sounds of traditional Bahamian music, including calypso, junkanoo, and rake 'n' scrape. Her early experiences with these genres influenced her later work and contributed to her deep connection to Bahamian traditions.
Christianity has played an integral role in shaping the historical, cultural, and social landscape of The Bahamas. As the dominant religion, its influence permeates all aspects of life, from political systems to everyday social norms. While Christianity has contributed to education and moral frameworks in the country, its presence has also led to several negative consequences, many of which have been overlooked or downplayed due to the religion's deeply entrenched position in Bahamian society.
This report aims to provide a balanced yet critical examination of Christianity's negative impacts on The Bahamas, focusing on its socio-cultural, political, economic, and psychological implications. By doing so, we seek to shed light on how the religion’s influence has hampered the nation’s development and contributed to social inequality, discrimination, and cultural erasure.
Leonard Davis was no stranger to isolation. A celebrated artist in his early forties, his work had graced gallery walls from New York to Berlin, but fame had come at a price. The galleries, the constant demand for new pieces, the endless interviews—it all had grown too loud, too chaotic for his fragile psyche. City life had become suffocating. He needed silence, he needed space, and most of all, he needed to reclaim his art for himself. That’s when he found the island.
It was a remote Bahamian islet, barely a speck on most maps, known only to a few locals and travelers with a penchant for adventure. But Leonard hadn’t come across it in a travel guide or by word of mouth. It appeared as if by fate, in an obscure online listing: "Lighthouse on secluded island for sale. Perfect for restoration." The ad seemed like a whisper from another world, beckoning him to leave everything behind. The idea of rebuilding a lighthouse had ignited something in him—a challenge, a project far removed from the art world he was eager to escape.
He purchased it within a week, leaving behind New York's relentless rhythm, and arrived on the island with nothing more than his tools, a few personal belongings, and a determination to disappear into his work.
The lighthouse stood as a ghostly silhouette against the turquoise waters, its weathered white stone walls cracked, roof battered by decades of neglect. It seemed to teeter on the edge of existence, as if at any moment, it might crumble into the sea. Leonard loved it instantly.
The sun is bright, but clouds may creep,
Not every friend is meant to keep.
The world is vast, with many faces,
Some lead to light, some darkened places.
Be wary of the mask they wear,
The charming smile, the vacant stare.
A handshake firm, but void of soul,
Can chip away and take its toll.
The voices soft, the words they spin,
May coax you gently to let them in.
But hidden shadows dwell inside,
A festering wound beneath the pride.
The Bahamas, a tropical archipelago comprising over 700 islands and cays, is renowned for its crystal-clear waters, rich biodiversity, and vibrant marine ecosystems. The nation's commercial fishing industry is a cornerstone of its economy, playing a crucial role in providing employment, food security, and a valuable export commodity. Fishing has long been an integral part of Bahamian culture and livelihood, especially for the coastal communities whose livelihoods depend on the sea. In recent decades, however, the industry has faced significant challenges, including environmental pressures, overfishing, competition, and regulatory constraints. This report offers a detailed exploration of the commercial fishing sector in The Bahamas, delving into its history, current status, challenges, improvements, and prospects for the future.
LNG (Liquefied Natural Gas) is rapidly gaining traction as a significant fuel source for power generation globally. The increasing demand for cleaner energy sources, coupled with technological advancements in natural gas production and distribution, has made LNG a critical component in the global energy landscape. The shift from coal and oil-based power generation to natural gas is primarily driven by its lower emissions and higher efficiency. This report provides a comprehensive analysis of LNG as a fuel for power generation, from its production process to its sustainability, including the advantages, challenges, and long-term prospects of this fuel source.
Put down your guns, oh brothers, my friends,
The cycle of bloodshed, it must reach an end.
In the islands of blue where the sun’s golden light,
Has been swallowed by shadows that steal away night.
From Nassau’s streets to the shores of Freeport,
Cries echo in alleys where lives come up short.
The mothers are weeping, their hearts full of pain,
As bullets like rain drown their hopes once again.
Oh, how did we come to this crossroad of fear?
Where peace is a stranger, and violence draws near.
In a land once so tranquil, where the waves kissed the shore,
Now the gunfire replaces the soft ocean’s roar.
Smokey 007, born Leroy McKenzie, was one of the most influential Bahamian musicians of his time. He grew up in the Bahamas, surrounded by the rich musical culture of the islands. Born in 1945, Leroy's early years were steeped in the sounds of traditional Bahamian music, African rhythms, and the vibrant blend of Caribbean influences that would later define his sound.
Growing up in Nassau, the bustling capital of the Bahamas, McKenzie was exposed to a wide array of musical styles. Calypso, rake 'n' scrape, and goombay were dominant genres in the Bahamas during his youth. McKenzie was deeply influenced by these traditional forms but also by the Western music styles that had begun making their way into the Caribbean, particularly jazz, blues, and soul.
Although little is documented about his formal education, it’s clear that McKenzie’s true schooling came from the streets and beaches of Nassau, where musicians would gather to play their instruments, improvise melodies, and tell stories through song. Leroy McKenzie developed his own style early on, a reflection of his desire to merge the traditional Bahamian sound with contemporary global music trends.